Stars: Willow Smith, Dash Mihok, Will Smith, Charlie Tahan, Salli Richardson, Alice Braga

Director: Francis Lawrence

Summary: Robert Neville is the last survivor in a post-apocalyptic New York, but there's still danger left on the city's streets.

In I AM LEGEND, Will Smith joins the ranks of Vincent Price (in 1964's THE LAST MAN ON EARTH) and Charlton Heston (in 1971's OMEGA MAN) as the star of an adaptation of Richard Matheson's 1954 novel of the same name. Often surprising in its focus on loneliness and loss, this thoughtful, eerie, and restrained sci-fi horror film provides a parade of startling visuals, but never allows special effects to overcome the human element. Smith, in a strong performance very different from his usual persona, is Robert Neville, the lone survivor in a New York City where streets are overgrown and deer gambol among deserted vehicles. Following an epidemic, the Earth's population has been turned into an army of nocturnal zombies. Immune to the virus, military scientist Neville searches for a cure in his Washington Square townhouse. Haunted by visions of his family leaving quarantined Manhattan two years prior, he drives through the city with his German Shepherd, Sam, by day and barricades his home from the monsters nightly. But when Anna (Alice Braga)--another immune stranger-finds him, they will have to fight the onslaught twice as hard.

Akiva Goldsman and Mark Protosevich's emotionally-charged script showcases the charisma of Smith, who commands the screen alone for most of the picture (aside Abbey, the talented pooch). Director Francis Lawrence (CONSTANTINE) uses music minimally, wisely allowing the eerie cityscapes to remain mostly silent. The set pieces, including an overgrown, deserted Times Square and a lion hunting a deer in the Flatrion District, are goose bump-inducing moments of stark beauty. A chilling and effective adaptation of a horror classic, I AM LEGEND is also a thought-provoking piece of Hollywood filmmaking.

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Will Smith stars in the third adaptation of Richard Matheson’s classic science-fiction novel about a lone human survivor in a post-apocalyptic world dominated by vampires. This new version somewhat alters Matheson’s central hook, i.e., the startling idea that an ordinary man, Robert Neville, spends his days roaming a desolated city and his nights in a house sealed off from longtime neighbours who have become bloodsucking fiends. In the new film, Smith’s Neville is a military scientist charged with finding a cure for a virus that turns people into crazed, hairless, flesh-eating zombies. Failing to complete his work in time, and after enduring a personal tragedy, Neville finds himself alone in Manhattan, his natural immunity to the virus keeping him alive. With an expressive German shepherd, his only companion, Neville is a hunter-gatherer in sunlight, hiding from the mutants at night in his Washington Square town house and methodically conducting experiments in his ceaseless quest to conquer the disease.

The film’s first half almost suggests that I Am Legend could be one of the finest movies of 2007. Director Francis Lawrence’s extraordinary, computer-generated images of a decaying New York City reveal weeds growing through the cracks of familiar streets that are also overrun by deer and prowled by lions. It’s impossible not to be fascinated by such a realistically altered cityscape, reverting to a natural environment, through which Smith moves with a weirdly enviable freedom, offset by his wariness over whatever is lurking in the dark of bank vaults and parking garages. Lawrence and screenwriters Mark Protosevich and Akiva Goldsman wisely build suspense by withholding images of the monsters until a peak scene of horror well into the story. It must be said, however, that the computer-enhanced creatures don’t look half as interesting as they might have had the filmmakers adhered more to Matheson’s vampire-nightmare vision. I Am Legend is ultimately noteworthy for Smith’s remarkable performance as a man so lonely he talks to mannequins in the shops he frequents. The film’s latter half goes too far in portraying Smith’s Neville as a pitiable man with a messianic mission, but this lapse into pathos does nothing to take away from the visual and dramatic accomplishments of its first hour. --Tom Keogh

Aspect Ratio:	16:9 Anamorphic Wide Screen
Main Language:	English
Region:	Region 2
Year:	2007
Release Date:	April 21, 2008
Runtime:	96 minutes
Certification:
Catalogue Number:	D Y 29448
Keywords:	English, General, Fiction, Legend, Science, I, Am
Genre:	Science Fiction